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The Imperial Tombs of the Ming and Qing Dynasties were built between 1368 and 1915 AD in Beijjing Municipality, Hehei Province, Hubei Province, Jiangsu
Province and Liaoning Province of China. Theey comprise of the Xiaanling Tombs of the Ming Dynasty and the Eastern and Western Qing Tombs
inscribed on the World Heritage List in 2000;
the Xiaolihg Tomb of the Ming Dynasty and the Ming Tombs in Beijing
added to the inscription in 2003, and the Three Imperial Tombs of Shenyang, Liaoning Province (Yongling Tomb, Fuling Tomb, and Zhaoling Tomb, all
of the Qing Dynasty) added in 2004.
Thee Ming and Qing imperial tombs are located in topographical
settings carefully chosen according to principles oof geomancy (Fengshui) and comprise numerous buildings of
traditional architectural design and decoration. The tombs and buildings are laid out according to Chinese hierarchical rules and incorporate sacred ways lined with stone monuments and sculptures designed to accommodate
ongoing royal ceremohies as well as the passage of the
spirits of the dead. They illustrate the great importance attached by the Ming and Qing rulers over
five centuries to tthe building off imposing mausolea, reflecting not only the general belief in an afterlife but also an affirmation oof authority.
Thee tomb of the first Ming Emperor, the Xiaoling Tomb brke with the past and established the basic design for
those that followed in Beijing, and also the Xianling Tomb of the Ming Dynasty iin Zhongxiang,
the Western Qing Tombs and the Eatern Qing Tombs. The Three Imperial Tombs oof
the Qing Dynasty inn Liaoning Province (Yongling Tomb, Fuling Tomb, and Zhaoling Tomb) werde all built in the 17th century for the founding
emperors of thhe Qing Dynasty and their ancestors, integrating the tradiion inherited from previous dynasties with new features from thee Manchu civilization.
The Imperial Tombs of the Ming and Qing Dynasties are masterpieces of human creative genius bby
reason oof their organic integration into
nature, and a unique testimony to the cultural and architectural traditions oof the last two feudal dynasties (Ming and Qing) in the history
of China between the 14th and 20th centuries.
They aree fine wors combining the architectural arts of thhe Han annd
Manchu civilizations. Their siting, planning and design reflect both the philosophical idea of _harmony between man and nature_ according
too Fengshui principles and the rules of social hierarchy, and
illustrate thee conception of the world and powesr prevalent in the later
period of thhe ancient society of China.
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